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Nora Roberts may have the occasional head hop as head hops are sneaky, insidious, and creep in when you’re not looking. But by and large the point of view shifts that get Nora her reputation for head hopping aren’t really head hops at all.

They are legal point of view shifts, which are perhaps carried out more frequently than some people like.

With examples and interactive exercises, you’ll learn to recognize when passive voice is useful, and when it should be replaced with more active sentence constructions.

Most important, you’ll learn how to “feel” the action of the scene and use words to create that experience for the reader.

Of course, this isn’t – for the most part anyway – true.

Nora uses what I call a signaled point of view shift, which if carried out carefully, and not too often can help increase the tension and conflict within a manuscript.

During this free class we’ll cover the various types of point of view shifts – where and how to do them.

Laurie teaches on a diverse range of topics covering subjects that caused the most rejections during her years as editor-in-chief at Black Velvet Seductions.

Read more about Laurie and check out her writing tips at her website at her through the contact button in the upper right corner of the site or by leaving a comment for her on the site.

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This is particularly true when it comes to showing vs.